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Rose Finn-Kelcey review – flying puns, smart pranks and prayers for 20p

Arts Collective, Northampton
An overdue celebration in her home town of this funny, direct, critical, satirical conceptualist shows her spiky social commentary is as fresh and relevant as ever

Rose Finn-Kelcey wanted to make art that was neither pompous nor condescending. Those are pretty rare ideals in conceptualism, where pomposity and condescension come with the territory, but Finn-Kelcey was a pretty rare artist.

This show in Northampton’s brand new £5m art centre – a very colourful retrofit of the historic municipal offices and town hall annexe, filled with artist studios – is a homecoming. Finn-Kelcey was born here in 1945 and grew up on a nearby farm, but spent the 1970s onwards causing a big old feminist ruckus with all sorts of art pranks, installations, performances, videos and photography in London before her death from motor neurone disease in 2014.

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May 4, 2026 Art Installation Photography

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