The latest in our series of writers calling attention to their go-to mood-lifting films is a celebration of Cameron Crowe’s unconventional romantic comedy
The first time I encountered Cameron Crowe’s Jerry Maguire, I was home from film school for the summer, trying to refine my taste and figure out what I was “into”. One afternoon, I pressed play on Jerry Maguire, thinking I’d while away some lazy hours with a silly Hollywood picture. But the movie was a jolt to my numbed senses. It was obvious: Jerry Maguire was what I was into. It was a thrilling epiphany, if also a little disappointing. I wanted to be sophisticated, and yet the truth was that I liked … schmaltzy romcoms.
Even as my taste matured and expanded, I kept returning to Jerry Maguire. Its feelgood nature is baked into the premise: Jerry (an electrifying Tom Cruise) is an indefatigable sports agent who overcomes both personal and professional challenges in the path to fulfillment. But the real reason why it makes you feel good is that Jerry’s arduous path transforms him. He doesn’t fall in love with Renee Zellweger’s Dorothy Boyd until they’ve already married and separated; there is no honeymoon-phase montage. The film’s romcom reputation can probably be attributed to its emotional climax: Jerry’s tear-jerking, glorious win-her-back speech, which introduced the phrases “you complete me” and “you had me at hello” to the cultural lexicon. In a traditional romcom, in which marriage is often the coveted conclusion, this moment would precede the wedding.
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