Film about a couple on trial for child abuse isn’t a patch on the director’s previous Palme winner, while other disappointing films seemed to grab the jury’s attention
These were the prizes for a Cannes under pressure. The Hollywood A-listers and big-hitters were A-listing and big-hitting at home this year. And what about the international heavyweights from Europe and Asia that highbrow festivaliers are always saying are loads better than the Americans anyway? Well, many of those only showed up in the physical sense. For me, most of the films from the accepted laureates and auteurs were very moderate, and I have to confess being sceptical about this year’s Palme d’Or, Fjord, by Romanian film-maker Cristian Mungiu (who won the Palme nearly 20 years ago with his searing abortion drama 4 Months, 3 Weeks and 2 Days).
Fjord is, in fact, a perfect example of an established European star director using a big Hollywood name: Sebastian Stan, playing a grumpy and religious Romanian IT engineer, his hair shaved into dull male pattern baldness for the part, and photographed largely in austere longshot.
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Film about a couple on trial for child abuse isn’t a patch on the director’s previous Palme winner, while other disappointing films seemed to grab the jury’s attentionThese were the prizes for a Cannes under pressure....
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