The Mount Without, Bristol
Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward Watson
Two notable women are the cornerstones of this evening of dance. First is its choreographer, Antonia Franceschi, still recognisable as the ballet dancer from the film Fame back when she was 19. Franceschi danced with George Balanchine’s New York City Ballet – this evening’s short opener, Excerpts from Kinderszenen, is a snapshot of neo-Balanchine – and has since choreographed in the UK and US (she’s artistic director at New York Theatre Ballet).
The second is the subject of the night’s meatiest, most intriguing work, Lee Krasner, the artist whose reputation is sometimes overshadowed by her also being the wife of Jackson Pollock. The piece Prophecy (still a work in progress) is a dance-theatre sketch of her life and her relationship with Pollock, made with writer and director Sara Joyce, with Krasner and Pollock’s words read in voiceover.
At the Mount Without, Bristol, until 22 May
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The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notable women are the cornerstones of this...
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