Cannes film festival: Barnaby Thompson’s documentary on the great British director is an exhilarating delve into the ebb and flow of Lean’s peerless career and sometimes complex personal life – with a grand cast of talking heads
Barnaby Thompson’s thoroughly exhilarating and enjoyable documentary about movie director David Lean is proof of the old maxim – fortune favours the bold. Lean’s career feels like more than ever like a dashing military adventure; like Napoleon or the young Winston Churchill in Sudan or, indeed, TE Lawrence in his greatest film, Lawrence of Arabia. It involved brilliantly improvising strategy in hostile terrain and imperiously imposing his command over troops who had to be subdued by force of will, as well as a mastery of the theatre involved in leadership, displaying an almost hammy sense of one’s own skill in oratory and the eroticism of giving orders.
Watching this documentary, you can appreciate how Peter O’Toole’s Lawrence is in many ways a comic, absurd figure – dressed up in borrowed and culturally appropriated Arab robes – but one that no one would dare mock. Perhaps Lean, in his director’s robes, could see what his subordinates wouldn’t, or couldn’t; he could see his own faults, and suffer from impostor syndrome and secret doubts. The movie repeatedly tells us that he could be impossibly bad-tempered and dictatorial on set – but there is no film or audio record of this, just Lean himself in various interviews being endlessly charming and self-deprecating. (Although I suspect that patrician accent perhaps reverted a little, at times, to something a bit rougher under duress.)
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Cannes film festival: Barnaby Thompson’s documentary on the great British director is an exhilarating delve into the ebb and flow of Lean’s peerless career and sometimes complex personal life – with a grand cast of ta...
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