The best recent crime and thrillers – review roundup

Honey by Imani Thompson; Quite Ugly One Evening by Chris Brookmyre; The Final Chapter by CB Everett; The Hollow Boys by Tariq Ashkanani; Shrink Solves Murder by Philippa Perry

Honey by Imani Thompson (Borough, £16.99)
Thompson’s smart and incisive debut centres on Yrsa, a young Black woman studying for a sociology PhD and teaching undergraduates at Cambridge. Irritated by her solipsistic, over-privileged students and tired of situationships, she’s fed up with life, and men in particular. Her first killing – that of a much older supervisor who reneges on his promise to leave his wife for a colleague, and steals her research in the process – is an accident, but Yrsa, who has catastrophically poor impulse control, enjoys the sensation and, more importantly, gets away with it. “It’s theory in action”: as victims pile up, her academic research provides a spurious rationale for justifiable anger, as with Hugh, who used her for bragging rights (“Black girl magic, 20 points”). But somebody is on to her, and things are starting to spin out of control … The best kind of campus novel, satirical and razor-sharp, crossed with a crime story: Thompson is an exciting new voice.

Quite Ugly One Evening by Chris Brookmyre (Abacus, £22)
Thirty years after Brookmyre’s debut, his latest novel to feature journalist Jack Parlabane makes a tonal return to his earlier, more irreverent style. Now 60, Jack feels increasingly like a “Boomer Ambassador” to the younger colleagues who are snapping at his heels. With his job on the line, he agrees to investigate a cold case: the death, 40 years earlier, of an MI5 operative. It’s thought to be connected to the Maskyn family, creators of much-loved but now contentious Thunderbirds-style TV series The Imaginators, and Parlabane finds himself on the transatlantic cruise liner hosting the 60th anniversary convention as “several hundred emotionally stunted fanboy incels alongside an over-remunerated family of nepo babies, trust fund pukes and outright fascists” duke it out over The Imaginators’ legacy. Masterfully plotted and scalpel-sharp, this is a riotously good read that uses a Golden Age set-up to take aim at the culture wars, while also providing a thoroughly satisfying mystery.