For every standing ovation there’s a riotous backlash – the film festival’s history is littered with boos, protests, furious rows and career-defining disasters
Part of the appeal of Cannes is its sense of old-school glamour. It is, however, a shame that the glamour often comes at the expense of logic and practicality. In 2015, a group of women were barred from the gala screening of Todd Haynes’ historical lesbian romance Carol for not adhering to the rule that women must wear high heels. The same happened to producer Valeria Richter, even though part of her left foot had been amputated. A year later, Julia Roberts made her displeasure about this known by walking the red carpet barefoot.
Continue reading...