Perth theatre
Aside from a brief pre-shoot ‘discussion’, this take on Billy Wilder’s classic 1950 film has little to offer – despite some fine performances
Over the past decade or so, Morag Fullarton has been developing a popular line in bijou Hollywood adaptations. With a camp flourish and a multitasking cast, the writer and director has boiled down favourites including Casablanca and It’s a Wonderful Life. She last had a crack at Sunset Boulevard, then billed as a “lunchtime cut”, in 2015 at Glasgow’s A Play, a Pie and a Pint, the company she went on to co-run for four years.
Now associate director at Perth, she has reunited the fine four-strong company who went down so well the first time around, worked in an extra 20 minutes of material and given it a handsome main-stage production. But for all its strengths of mimicry and its affection for Billy Wilder’s 1950 original, it is a show severely lacking in purpose.
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Perth theatreAside from a brief pre-shoot ‘discussion’, this take on Billy Wilder’s classic 1950 film has little to offer – despite some fine performancesOver the past decade or so, Morag Fullarton has been developing...
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