The incendiary Japanese group who emerged out of late-60s unrest were suspicious of studios so their legacy was long left to bootleg obsessives. But unheard recordings are revealing their lesser-known gifts for melody
By 1969 student protests were raging across Japan, as anti-university, anti-war and anti-government movements mingled in strikes and classroom blockades. “Students were getting really violent,” Makoto Kubota recalls of Kyoto’s Doshisha University, leaving his studies in shambles. But when his quiet, magnetic fellow student Takashi Mizutani invited Kubota to the first gig by his band les Rallizes Dénudés, their deafening psych-rock became his calling. “I’d never experienced that amount of volume. My body ached.”
Les Rallizes Dénudés, which Kubota soon joined, have become the stuff of rock mythology: a mysterious, ever-shifting group whose early use of extreme distortion has won fans ranging from Osees’ John Dwyer to Lady Gaga. As its sole constant member since founding it in 1967, vocalist-guitarist Mizutani’s secretive nature and aversion to studio recordings have meant their story is still being pieced together, and their music chiefly circulated as live bootlegs. Discovering these had generated a cult international fanbase long after the band’s final gig in 1996, and Mizutani and Kubota reconnected in 2019 with plans to reunite – cut short by Mizutani’s death later that year. In his memory, Kubota is restoring and releasing their music, including an extraordinary lost album.
Continue reading...
The incendiary Japanese group who emerged out of late-60s unrest were suspicious of studios so their legacy was long left to bootleg obsessives. But unheard recordings are revealing their lesser-known gifts for melody...
See more
