They’ve been imprisoned, tortured and spied upon. Now dissidents from Europe’s last dictatorship are bringing the sights, sounds, smells and even tastes of brutal repression to the world’s biggest festival of art
In a studio down a residential road in west Warsaw, a group of former political prisoners are cutting golden stems of wheat to 90cm lengths and stacking them, ready to be shipped to the Venice Biennale. A giant ball made of books banned in the neighbouring country of Belarus – Harry Potter, Nobel prize winner Svetlana Alexievich, an illustrated history of kink – rests on the claw of a bulldozer. There is the sound of laughter, organ music and an angle-grinder, as surveillance cameras are attached to a towering iron crucifix.
This is Official. Unofficial. Belarus., the first major art project by Belarus Free Theatre (BFT). Unusually, this work by the exiled troupe has no performance element but has instead been created by painters, sculptors, composers and even the man recently voted world’s best chef. Rasmus Munk has been concocting a dish at his two-Michelin-starred restaurant in Copenhagen that will taste of detention under an authoritarian regime, the subject of the entire installation. A scent has been commissioned, too: it will smell like a freshly dug grave in the Belarus countryside in late August, laid with rotting flowers.
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They’ve been imprisoned, tortured and spied upon. Now dissidents from Europe’s last dictatorship are bringing the sights, sounds, smells and even tastes of brutal repression to the world’s biggest festival of artIn a...
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