A talky, performance-driven two-hander manages to find specificity and spark in what could have felt like an overly familiar throwback
Hollywood is currently in an odd but oddly exciting place, where no one is quite sure what types of “films they don’t make anymore” they should actually start making again. We’ve seen historical epics such as Oppenheimer, erotic thrillers such as The Housemaid and female-led workplace comedies such as The Devil Wears Prada 2 all make blockbuster bank and we’re in the middle of a bumper year at the box office, edging towards a pre-pandemic total.
But around the edges or in-between the cracks, there are brackets of films that might once have been given a spotlight, yet are still being left in the dark. A film such as Miss You, Love You – a talky comedy drama about adults navigating adult issues – would never have been a smash hit exactly, but it would have occupied a space which has now mostly faded, a space where specialty releases slowly turn strong reviews into good word of mouth that in turn allows for minor, yet, impressive numbers, a sleeper hit with awards buzz. Made over two years ago and then screened for buyers at this year’s Sundance, with the help of Julia Roberts, whose husband acts as cinematographer, it was ultimately bought by HBO and shuffled into an early summer TV premiere, where it will likely go the unfortunate route quietly laid out by the network’s other purchased titles.
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A talky, performance-driven two-hander manages to find specificity and spark in what could have felt like an overly familiar throwbackHollywood is currently in an odd but oddly exciting place, where no one is quite su...
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