A behind-the-scenes second world war drama focused on the importance of weather is too stodgy and repetitive to work as anything but a so-so TV movie
In a world of increasingly segmented audiences, the new movie Pressure cleverly brings together two adjacent demographics: weather dads and history dads. Those designations are honorifics, not gender-essentialist; spiritually dad-curious people of all ages (but, let’s be real: mostly over 50) may be interested in a behind-the-scenes story set in the last few days leading up to the allied invasion of Normandy in June 1944. Because this is the largest-scale seaborne invasion ever mounted, weather is a major factor, and the movie follows military higher-ups as they work around the clock trying to figure out whether a possible incoming storm will create unfavorable or impossible conditions.
To put it in contemporary terms, this is essentially a movie about Dwight Eisenhower (Brendan Fraser) nervously refreshing his weather app to see if he needs to change his upcoming plans. The weather app is played by Andrew Scott. Scott’s actual character is James Stagg, a somewhat brusque and chilly Scotsman brought in to the D-day planning as the operation’s chief meteorological officer. Stagg quickly clashes with the American Irving Krick (Chris Messina), who knows that D-day is crucial and time is of the essence – and is therefore bullish about (selectively) using past data to “predict” that the storms will quickly pass. Stagg’s analysis is far less optimistic. Anyone who has held tickets to a forecast-dependent outdoor concert will relate.
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A behind-the-scenes second world war drama focused on the importance of weather is too stodgy and repetitive to work as anything but a so-so TV movieIn a world of increasingly segmented audiences, the new movie Pressu...
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